Fall Winter 2026 Techniques

Since the 1990s, we have reappropriated interior fabrics and decorative surfaces as materials of dressmaking. For the collection, aged tapestry patches material are applied to a shift dress as if furniture fabric was fluid, creating impossible draping. Accessories presented painting leather with a distressed 17th-century-inspired tapestry print.

The collection also expands a selection of garments using our house’s white overpaint technique: Bianchetto. The technique originated from our first studio furniture, overpainted in white. The paint cracks and naturally fades over time, revealing rather than concealing the passage of time and the signs of use.

Assemblage is used as an exploration of materiality. Disparate materials are joined: dresses are bonded to printed chiffon, patchwork linings are sewn in unexpected patterns and constructions, and tapestries are combined on shift dresses, creating an illusion of fluidity.